Brutalism, Architecture, Cars and Batman

Yesterday I saw the new Batman film the Dark Knight. All in all I was pretty impressed and I enjoyed it a lot (like my opinion matters…). I was wonderfully old fashioned in many ways epic and operatic, dark and intelligent. I thought that it was very interesting film in a lot of ways, of course there was the whole morality theme, but if you want to find out about that, pick up a paper and read a review; However I am a visual person, so it was the visual aspects that interested me most.

I thought that it was a particularly ‘tight’ film in terms of the design and feel, clearly a lot of thought had gone into this and it hadn’t been wasted. Gotham city is brutal. It is the dark side of the Modernist Project, Post Modernism and wherever we are now haven’t got a look in. Can you imagine a curvey building by Frank Gehry or Richard Rogers (actually not very curvey but full of light and weightlessness)? I can’t. Gotham is a city where the concrete and the grid rule, this is not to say that some of the buildings are not beautiful, because many are.

I’ve noticed a few years ago that as the new model cars appeared they were all more hard edged, straight lined and less curvey than their predecessors, particularly the more expensive vehicles – think Landrovers or BMWs – in short more militaristic, more hard edged designs. I think what makes it more interesting is that for a very long time prior to this, on the whole cars had been gaining curves. Clearly though people right now are in the mood to buy brutal looking cars. Some of the designs are wonderful (at least from a purely aesthetic point of view) – I think some of the smaller BMWs are sublime.

I think these hard edged designs are a direct response to fear and unease in society at large. People want to buy harder looking vehicles because they are fearful and therefore feel the need to project strength, of course good designers produce what thier customers and clients want, and the best the designers do this before their customers know what they want. Of course the biggest, hardest most brutal vehicle of all is the Batmobile.

Back to the film. I remember going to see Starship Troopers at the cinema when it came out, I went along with all my house mates and we illicitly necked a load of beers (or possibly a bottle of vodka (shudder)) and whooped and screamed as we watched the film. I remember the film because it was the first film I consciously saw where you couldn’t tell where the cgi began, of course ten years latter it almost tame. Special effects have just got bigger and better and they have got so big that they don’t really make any impact at all anymore because there is too much to take in.

So does he deserve an Oscar or not?

Stained :: new work by Nick Kaplony

My friend Nick has new show coming up. It is about time too – I’ve been seeing these Rorschach things hanging about in house and his studio for years now and I’m glad they have finally come together into something exciting. I can’t wait to see them.

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As its inaugural exhibition Way East presents Stained; new work by artist Nick Kaplony in his first London solo show. Kaplony’s practice is concerned with inheritance and genetic predisposition, examining the extent to which emotional, mental as well as physical traits are carried down the family line: the cause and effect of family history.

Familial relations act as a motivation for Kaplony. He focuses on his parents, using them to create photographic images that invite the viewer to consider similarities between parents and offspring. Stained is the first exhibition of Transmitter/Receiver, a new body of work incorporating photography and drawing in a series of portraits suggesting a psychological correlation between the sitters. Direct reference to the family is abandoned in a new large-scale installation work utilising the iconography of the Rorschach print. Blackness is punctuated by neon dots that seem to flash in an unknown sequence, creating a potential but ambiguous relationship between individual images.

Nick Kaplony is a graduate of Camberwell College of Arts and has shown nationally in Manchester City Gallery and Gallery 1885 in London. He is also a member of the arts collective Slowfall Projects and has worked on a number of site specific projects including Ringing; St Augustine’s Tower, Hackney and at Woodbridge Chapel, London in collaboration with the Barbican.

Way East is a new contemporary art space run by artist and writer Russell Martin.

STAINED
Nick Kaplony

Wed 30 Jan – Sat 23 Feb

Private View: Tue 29 Jan
6pm-8pm

WAY EAST
62 EASTWAY, HACKNEY WICK, LONDON E9 5JH
OPEN: SATURDAYS OR BY APPOINTMENT
Tel: 07855 352 955 Email: [email protected]
Web: http://wayeast.russellmartin.org.uk/

Streetmap location:
http://www.streetmap.co.uk/newmap.srf?x=536682&y=184956&z=1&sv=EASTWAY&st=6&
tl=Eastway,+E_9&searchp=newsearch.srf&mapp=newmap.srf

#artmesh

Out of the blue last week, I was invited to join a new site called #artmesh. At the moment it is invitation only – but it looks very exciting – I suppose it is (Social) Networking for artists.

Haven’t had the time to do a thing yet – or even to create my profile properly… but it looks like it could be great. One to watch.